A peculiar spaghetti western, where the desire for revenge has to duel with a series of moral doubts<\/p>\n\n\n\n
Inspired by the great classic Shane<\/em>, it reveals a brooding melancholy rarely seen in the genre<\/p>\n\n\n\n A title that deserves to be re-watched, rediscovered and re-evaluated<\/p>\n\n\n\n If there is one theme that the spaghetti western has an obsession with, it is revenge. A dish served up in all manner of temperatures, but for the most part relentless, unhesitating and bloody. At first, Vendo cara la pelle <\/em>appears to slot right into this tradition, however after the protagonist proves his ability to rain hellfire on his enemies, he meets a widow and her young son and faces a dilemma: what if a life of anger is the wrong path? The behaviour of one of the bad guys, who repents and turns to a life of prayer in a convent, further complicates the situation: Clearly inspired by the great classic Shane<\/em> (1951), it is a western with a sense of brooding melancholy. Directed by Ettore Maria Fizzarotti, best known for his work in the musicarello <\/em>genre, and with the wonderful photography of Stelvio Massi, it is a film worth re-watching, rediscovering and re-evaluating.<\/p>\n\n\n\n The sole purpose of life for a young gunslinger is to seek revenge on the bad guys who slaughtered his family. He meets a widow and her son, and his priorities change. However, evil is waiting in ambush and his reaction will be inevitable. <\/p>\n","protected":false},"featured_media":17307,"template":"","project-category":[33],"project-genre":[39],"class_list":["post-17310","projects","type-projects","status-publish","has-post-thumbnail","hentry","project-category-cinema-en","project-genre-western-en"],"acf":[],"yoast_head":"\n