MARCO THE MAGNIFICENT

MARCO THE MAGNIFICENT

Directed by

Denys de La Patellière, Raoul Lévi

Year

1965

Genre

Adventure

Category

Cinema


Synopsis

An ambitious adventure film that takes us to the Far East, with plenty of magnificent sets and stunning natural locations

A cast of international stars that includes Anthony Quinn and Omar Sharif, with Orson Welles in a cameo role

At the time, the film was the subject of a lot of talk, with many thinking it would be a catastrophe. The production was a very ambitious project that aimed to impress audiences in search of visual stimulation, with huge sets, hordes of extras, an expensive reconstruction of a fabled Orient, and breathtaking exteriors shot in India, Afghanistan and Iran. The never-ending production difficulties (for example, Alain Delon dropping out of the main role) made things worse for a film that was already too big to carry its own weight and recoup its huge budget. Looking back, it has the attraction of a luxury object fallen into disuse, of a suicidal enterprise touched by mad extravagance. The cast is full of surprises: Anthony Quinn is nearly unrecognisable as Kublai Khan, Omar Sharif plays an emir, and Orson Welles has a short but memorable cameo as Marco Polo’s tutor. 

An ambitious adventure film that takes us to the Far East, with plenty of magnificent sets and stunning natural locations

A cast of international stars that includes Anthony Quinn and Omar Sharif, with Orson Welles in a cameo role

At the time, the film was the subject of a lot of talk, with many thinking it would be a catastrophe. The production was a very ambitious project that aimed to impress audiences in search of visual stimulation, with huge sets, hordes of extras, an expensive reconstruction of a fabled Orient, and breathtaking exteriors shot in India, Afghanistan and Iran. The never-ending production difficulties (for example, Alain Delon dropping out of the main role) made things worse for a film that was already too big to carry its own weight and recoup its huge budget. Looking back, it has the attraction of a luxury object fallen into disuse, of a suicidal enterprise touched by mad extravagance. The cast is full of surprises: Anthony Quinn is nearly unrecognisable as Kublai Khan, Omar Sharif plays an emir, and Orson Welles has a short but memorable cameo as Marco Polo’s tutor. 


MARCO THE MAGNIFICENT
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